This week, New York musician Stephen Bluhm brings us John Cale and his hauntingly beautiful 1973 masterpiece: 'Paris 1919' Songs discussed in this episode: Paris 1919 (live at the Paradiso Amsterdam Netherlands) - John Cale; Any Little Thing -...
This week, New York musician Stephen Bluhm brings us John Cale and his hauntingly beautiful 1973 masterpiece: 'Paris 1919'
Songs discussed in this episode: Paris 1919 (live at the Paradiso Amsterdam Netherlands) - John Cale; Any Little Thing - Stephen Bluhm; Big White Cloud - John Cale; No One Is There - Nico; All The Love You Want, Wissahickon - Stephen Bluhm; Satellite Of Love - Lou Reed; China Sea - John Cale; Easy To Slip - Little Feat; A Child's Christmas In Whales, Hallelujah, Hanky Panky Nohow - John Cale; Venus In Furs - The Velvet Underground; The Endless Plain Of Fortune - John Cale; Andalucia - Yo La Tengo; Andalucia, Macbeth, Paris 1919, Graham Greene, Half Past France, Antarctica Starts Here - John Cale; New Age - The Velvet Underground; There Was A Light - Stephen Bluhm
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Songwriter & performer
Out of the Nowhere. Into the Here. is the sublime second album by singer, songwriter, and performer Stephen Bluhm. It’s a classic story: Young, creative person connects with music and through it sees a life beyond the slow, remote town they grew up in. But few such enlightened fugitives will end up making music that approaches the exquisite and beautifully moving chamber pop of Out of the Nowhere. Into the Here. Described by Bluhm, who was raised in rural Pennsylvania, as “ten intimate but playful songs capturing the visceral feelings of autumn and winter, love and passion, and the suspicion (I’m not alone with) that there is something going on beyond our understanding.” While Bluhm has been “making songs ever since I can remember,” in his teenage years it was his older siblings’ Lou Reed and David Bowie records that ignited his adolescent musical obsession. While attending Temple University, he took the plunge into live music via campus open-mic nights and from there burst upon the bustling Philadelphia scene, prompting the Philadelphia City Paper to dub him “an old soul, writing Tin Pan Alley-ish fare and singing croon-y folk jazz in a voice that’d make Morrisey swoon.” Relocating to New York’s Hudson Valley, he further honed his expressive performing style: Belying the serious slants of some of his songs, Bluhm’s shows often find him dancing madly among delighted audience members.