Originally released as a cassette in 1987 under the Sentridoh name, 'Weed Forestin' is a beautifully eclectic collection of home-recordings by songwriter Lou Barlow (Sebadoh, Dinosaur Jr). This week's guest Dave Gebroe of the Discograffiti Podcast...
Originally released as a cassette in 1987 under the Sentridoh name, 'Weed Forestin' is a beautifully eclectic collection of home-recordings by songwriter Lou Barlow (Sebadoh, Dinosaur Jr). This week's guest Dave Gebroe of the Discograffiti Podcast joins us as we unpack this weirdly wonderful indie classic.
Songs discussed in this episode: Brand New Love - Ben Lee/Superchunk/Death Cab For Cutie; I Have Been Floated - The Olivia Tremor Control; Healthy Sick - Sebadoh; How Loft I Am - Guided By Voices; Metal Machine Music Pt. 1 - Lou Reed; Albuquerque '89, New Worship, My Own Religion, More Simple, Jealous Of Jesus, Mr Genius Eyes, Perfect Power, Feeding Evil, Sexual Confusion, Broken, Waited Forever - Sentridoh; Place To Be - Nick Drake; Slightest Suggestion, It's So Hard To Fall In Love - Sentridoh; It's So Hard To Fall In Love - Superchunk; Brand New Love - Sentridoh; Brand New Love - Sebadoh
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Dave Gebroe is the creator & host of the music obsessives' podcast Discograffiti, which releases 3 shows a week and is rated in the top 2% of all podcasts globally. He's also written, produced, and directed two feature films to date. The Homeboy, distributed worldwide by Urban Entertainment, marked his debut. His follow-up was the horror hit Zombie Honeymoon. After a successful festival run (Slamdance, Sitges, Hamptons, Torino, San Francisco International, and many others), Zombie Honeymoon was picked up for national distribution by Showtime, and internationally by Fabrication Films. It is enjoying a healthy life in over 45 countries, in addition to having experienced a successful North American theatrical release. In addition, Gebroe has served as manager to such indie music luminaries such as Jessica Pratt and La Sera, and has been a contributing music critic to such publications as the International Review of Music and LiveDaily over the years.